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Dylan Dog: "A Tale of none" Comparison

Eccomi di nuovo, in ritorno dal mare... e, ritrovando uno spiraglio di tempo prima di ripartire cercherò di parlare di quello che a mio parere è uno dei più bei D ylan D og mai scritti.

Prima di iniziare in questa ardua impresa voglio però fare un paio di precisazioni:
potete leggere il mio articolo sia se non avete letto sia se avete letto questo fumetto... nel primo caso vi invoglierà a prenderlo e mangiarvelo (con gli occhi e la mente, intendo) nel secondo caso vi aiuterà a chiarire dei punti che vi sono rimasti oscuri, o semplicemente potrete leggere e commentare con le vostre idee.
Certamente avrete capito che si tratta di un Dylan rivoluzionario, che mette in dubbio il mondo stesso in cui viviamo e colpisce duramente le certezze del lettore, capovolgendo l' universo conosciuto; quindi spero che mi perdonerete se in un paio di punti vi sembrerò eccessivamente oscuro nei miei passaggi o comunque difficilmente comprensibile. Inoltre faccio notare che quello che scriverò sarà decisamente soggettivo, e quindi voi lettori potreste benissimo aver inteso l' intera faccenda diversamente.

Allora... il Dylan è basato su due paralleli equivoci (scusate se non so definirli meglio); il primo è la parola nessuno , che viene usata sia con la lettera minuscola sia maiuscola, and indicates both the lack of a soul (eg : there 'is none) or the fact that any person is not able to make an' action (eg : nobody can do it) is a real person. In fact it is called "Nobody" is a cartoon character, any anyone, a person widely considered to be a nobody and forgotten by all once dead. This
but nobody lives, becoming a zombie cannibal, and killing people who in life had forgotten about him ... but things are not as they seem, and here comes the second "mistake", because for some reason in this comic Dylan plays the saxophone, drinking liters of alcohol, maintains a friendly conversation with a psychologist, who, strangely, has the face of Xabaras and to finish the Tour Eiffel is located in London. Everything suggests a parallel universe ... but because the universe exists, how it was created, and first because no one has noticed anything?

A reading of the world to a revolutionary degree of the screenwriters of all time: Justin S clavi , still young enough to find the most obscure questions of life and scenes of an 'innate rawness to' interior of this historic register.
This comic, like few others in this series manages to amuse the reader, making him think and making him aware of the 'existence of a consciousness beyond the ego, making him understand the complexity of the' universe and the human mind.


I hope you enjoyed this good introduction, and you have interested in this Dylan, but also to 'a whole series of Bonelli.
To you now have the opportunity to comment, ask explanation or clarification, or just say your review ...

Hello, MARV ("no history", D Ylan D og number 43)

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Eragon film / novel. Part I

Now to me your full attention as possible ... probably a good part of you or my faithful readers will have seen that shit of a movie of Eragon , something abhorrent, disgusting, a total shit ... but this time I am not speaking only for my movie experience, but especially because I could not establish that the comparison with the book.

First we'll talk a bit 'of the novel, a' magnificent work, which made me excited about the fantasy genre more than anything else, so you can realize how he lost the film.

Then, the book is a insieme di peripezie e incontri: il protagonista si muove all' interno di un universo sconosciuto sia a lui che al lettore; Eragon è spaesato alla vista di un mondo così pregno di magia e novità, cose che lui neanche immaginava potessero esistere. Grazie al vecchio ma ancora arzillo e scaltro cantastorie Brom si avventurerà in questo universo pregno di pericoli e misteri, affrontando nemici temibili come gli urgali , inseguito da creature insieme mostruose e abilissime come i ra ' zac ; ma soprattutto Eragon imparerà a conoscere se stesso, ad apprendere la il suo potenziale, la sua forza, la sua importanza e il suo destino.

Fino a qui tutta l' opera potrebbe solo sembrare un interessante fantasy , ma sono presenti delle caratteristiche che rendono questo libro unico nel suo genere, un vero capolavoro.

Per prima cosa il drago che fa da perno a tutta la storia, e che non è solo un burattino al servizio del protagonista, ma è un essere pensante e cosciente, legato in modo indissolubile a Eragon ; tuttavia non è affatto docile, ma orgoglioso, passionale e sì, a volte si comporta in modo avventato o stupido. Molto importante e interessante risulta il rapporto tra il protagonista e il suo drago, le cui menti sono collegate telepaticamente , poiché they will not be d 'agree on everything, and several times it will irritate the' one another. Then the magic

, which is explained in this book better than any other. The magic is tied to a language, the 'ancient language of the elves, and not only is very difficult to practice, but requires a huge physical and mental effort: it will dry up so much energy than it would be necessary to perform the' action without it. Moreover, as I said, magic is only feasible thanks to depth knowledge of the Elvish language, and this not only to complicate matters enormously, symbolizes the 'importance of languages \u200b\u200band finish is very comunicazione.Per the fascinating 'universe in which the entire story takes place: Alagaësia (with the umlaut on the e). It is indeed very real, with forests, rivers, deserts, swamps, mountains, and inside there are three races: elves, dwarves, and especially humans, who inhabit most of the world under the command of despotic Galbatorix, also rider of dragons.

It's up to Eragon oppose the tyrannical ruler of the kingdom and discover a power for him right now too big even to be imagined ...

The comparison with the movie and a commentary on Eldest in the second part of 'article ...

Ciao a tutti e non perdetevi il seguito,

MARV

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Comparison Eragon film / novel. Part II

Rieccomi a paragonare film e romanzo di Eragon... Nella parte precedente avevo fatto una sorta di riassunto del libro e avevo elencato le sue caratteristiche peculiari, che lo distinguevano dagli altri fantasy e lo rendevano superiore...

Ora parlerò di ciò che nel film è stato brutalmente decurtato, non tanto per criticare la produzione e la sceneggiatura, ma per mostrarvi come hanno potuto trasformare un potenziale capolavoro in una schifezza inguadabile.

As I said Eragon is a novel full of action, but leaves room for reflection, and the suggestion to 'imagination, elements in the book come from a set of parts to be only negligible, but joined together they make quantum leap in history. So ... In the film jumped to the first characterization, which would serve to make them a bit 'more real and realistic, whereas the opposite seems to characters of a puppet show which is completely static, locked in their mentality, which are moved by something like superior ... they do not reflect and move accordingly, but act so foolish, impulsive randomly . Between ' Another managed to turn a Eragon that appeal to everyone in a reckless and arrogant character: two-dimensional (just the opposite of what the book).

were therefore cut scenes as some important stages of his journey south: the villages devastated by Urgals, the beautiful city of Teirm, the 'important Dras Leona and was cut off one of the harshest scenes of the novel: Eragon in prison is compelled to fast not to fall under the 'influence of drugs. All these scenes gave an extra boost to the whole journey of the protagonist in the film is absolutely incoherent, without meaning or purpose ... certainly, through selective cutting could eliminate more pieces gory and thus open the film to enthusiastic audience of children in that room do nothing but yell and scream without passing to them or their parents to their heads wondering what they are watching and that significance should have.

Now let's look at the logical consistency: the 'goal of Paolini (the writer) was to create the path of his character and very strong enemies scaltrissimi so that Eragon progressing in his training and his knowledge is not able to delete them anyway indeed it would have to return once again to train for a single chance. In fact, the 'author created a king from the power and' experience unimaginable hordes of Urgals physical strength twice that of a man, two Ra 'zac fast, very clever man, treacherous and dangerous to' far-fetched (well, two antagonists perfect for Eragon and two puppets to use in a scene to burst and so smooth and painless). Not to mention that the stop in Teirm and survival of Ra 'zac was more than necessary later in Eragon. Paolini created Durza

Finally, the physical and mental strength equal to that of an 'adult elf, well-trained, stronger than the commander of the Varden with years and years of experience and battles, so great an enemy, which goes beyond the possibility of Eragon, and that it is defeated thanks to the 'help of Arya and especially thanks to good luck. The film is not Durza altro che un burattino al servizio di Galbatorix, non è orgoglioso né avvenente né temibile come dovrebbe essere e fa in più occasioni la figura dello stupido. Per finire uno dei personagggi più affascinanti del libro è un certo Murtagh, che dopo la morte di Brom affianca Eragon nel suo viaggio, lo aiuta a fuggire dalle prigioni ed è anche un grandioso rivale per il protagonista che tutte le sere duella con lui attorno al fuoco. L' alone di mistero che lo circonda, la sua straordinaria abilità come combattente, e la sua fedeltà a Eragon gli faranno guadagnare non solo il rispetto, ma anche la fiducia e l' amicizia del protagonista. Inutile dire che nel film è quasi tutto tagliato: la sua comparsa, meno di due minuti e poi immediately added to the Varden. About this I will not go, but I will only say that 200 pages of the book are skipped since Eragon joins them for the final battle, and are one of the most interesting and exciting.

Now the dragon ... be ', is almost the contour, is involved in a couple of fight scenes and otherwise communicate with Eragon and does not talk much (thank goodness, because her voice, but particularly around the dubbing is outrageous).

However, in general, the cast is small, it only saves Brom, but, as I have said is ruined by dubbing.

I do not know what it took to film, but after "The Lord of the Rings" is no yet managed to produce a fantasy worthy of the name, have even turned the story that households could ever want in an absolute shit ... a real disappointment ... we only hope that the forthcoming "The compass d 'oro", the novels of the series "His Dark Materials" will be able to stop this losing streak (well,' the cast is promising).

Hello everyone and tell me your opinion,

MARV

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V for Vendetta movie

Now that I found a window of time to 'inside of my post-school commitments (commitments that you will understand) cover you with words to talk about my favorite movie ever, which I had mentioned on previous post of cinema, a film that will remain forever linked, a film that struck me not only because of the revolutionary history, but above all thanks to a script by master and a perfect cast, masterful.

I think the title of the post you understand what it is ... V for Vendetta, adapted from 'eponymous comic book by Alan Moore, but adapted to the big screen by two genes as the Wachowski brothers. These two directors had already happened with the Matrix trilogy, in my opinion overly romanticized, but still well produced and well directed. However I think their real masterpiece is V for Vendetta, the film which were already working, even before filming Matrix, but they had but then decided to postpone due to lack of resources. So we have repeated the story of a young but rather inspired by Moore, adapted in a way as to obtain a 'interesting but uncompromising vision of a London despotic and fascist, but in order to create a' compelling, introspective and compelling fight for freedom in a saturated atmosphere of despotism and tyranny.

The film is thus the story of a terrorist, V, which is unique in his country, stands to confront the dictatorship and to fight for freedom, it turns to the subject population (more psychologically and physically) and awakens in their feelings dormant for so long: pride, confidence, persistence and tenacity. Simultaneously, the same story focuses in particular on two characters: the same V and a girl, Evey Hammond, whose fates intersect. Their speeches and their actions will affect the viewer, as a sparkling, engaging and ultimately very reflective. The whole film has not only undermines the social model, leading to 'exasperation and almost paradoxical, but also severely affects the emotional, with a character in relation to V and inflexible as a very emotional yet resolute as Evey. Their relationship is in fact as a confrontation between an 'inflexible idea (symbolized by V) and a human being able to cry and suffer.

addition to the terrorist 's attention is also focused on the' other part of the "deployment", the despotic state that is facing for the first time a critical situation. This is partly made up of men ruthless and without conscience, and by 'other people are more human than they are entangled in the power system of the dictatorship without even the slightest account of what it is capable and that, despite continuing to work for the state, are affected by the actions of V.

The film is clearly not static, but rather very dynamic, with continual overturning of the situation, spectacular terrorist operations, el 'plot is convoluted in a couple of points, because of the flashbacks, which But they just make the story more interesting and less slow.

Ultimately the film is a hymn to peace and freedom, told by two master filmmakers in a rather introspective and psychological, and above all quite strange, different from the usual ... Manages to turn the situation to the public to please the enemies of peace and tranquility to create an imaginary hero, who does not really exist, but this is all 'inside of each person, a hero at the same time an unprecedented power but whose goal is not attainable without the 'support of the people who would not be possible without a sacrifice.

course production of such a high level would not have been possible without the cast that had ... not an exceptional cast, but in my opinion the best suited to each other. V is represented as a powerful voice by Hugo Weaving and movements rather than well-chosen, but also a Natalie Portman who has left behind the role in Star Wars and behaves very well now more than showing off all his skills and his whole charm, even shaved zero.

are also very convincing 'Inspector Finch (Stephen Rea) and all party members, particularly the' high chancellor Adam Sattler and the face of London Protheto Louis.

Finally I can announce that the 'psychological environment and the basic ideas sono apertamente ispirate al capolavoro di George Orwell "1984"; ma questo non è un motivo per disprezzare o sminuire l' effetto o le emozioni suscitate da questo film. Infatti esso narra una storia completamente diversa, molto originale e neanche lontanamente paragonabile a quella raccontata da Orwell nel lontano 1948. Le due vicende, al di là del' ambientazione non potrebbero essere più diverse, se non per il tema di fondo: la ricerca della libertà. Ma non mi sembra giusto accostarli tra di loro: solo perchè vanno in scena nel prossimo futuro, non vuol dire che sono uguali, no?

Voi avete visto questo grandissimo film? Cosa ne pensate? A voi la possibilità di commentare.

Ciao a tutti dal MARV your

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Poetry and Art

begin this exciting new category of post related to 'art and poetry in particular. Will report poems, nursery rhymes and poems composed in part by me and others that I found particularly expressive or rhythm or simply beautiful to read.
Now I think a good start to write a kind of nursery rhyme very beautiful and very significant that I found on 'special album of Dylan Dog called "Dreams," and I've reworked a couple of points to extrapolate from the context of history and to make it a bit 'smoother.
Here it is: This is
fate
of 'suffering humanity,
ghosts in the blinding light of
nothing.
That nothing
that awaits
the maze without exit
dreams and sorrows
you call life.
But the dream is only one,
meaningless, cryptic,
a dream
dazzling colors of destiny.

To me it seemed very sad but very apt and meaningful ... tell me what you think ...

Hello and inspired by the next article MARV

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My comics

I'm back to talk to my imaginary recipient (liked the rhyme, eh?) . I think I will change this time I will concentrate on one topic and parallel to the film, but yet very different: the comic

First would soon get the money for my favorite genres, which I have several of the brackets My friends, that made me a bit of interest 'in this and a bit' on that so that I can now say with security my generation of cartoonists.

First DYLAN DOG . I started to read it three years ago when a friend and confidant (now former friend and confidant) recommended them to me. Then I alternated moments of full and complete addiction to moments of total indifference. This 'bubble' horror "does have the ability to bewitch and make them completely dependent on reading. All this is thanks to great writers and artists, but especially thanks to 'designer, supervisor and with the first writer: Tiziano Sclavi . I ask myself and I always ask how do I get such a disproportionate fantasia e delle idee così azzeccate, idee che sfiorano il paranoico e molte volte si avvicinano alla follia assoluta: in poche parole un vero genio, creatore della migliore serie in assoluto del fumetto italiano e che a mio parere potrebbe giocare la coppa per il migliore nel mondo.

Certamente si troverebbe di fronte seri avversari, a partire da una Marvel molto osannata ma per me non eccessivamente originale e eclatante; a mio parere perchè un fumetto sia veramente degno non solo ti deve entusiasmare, ma soprattutto ti deve stupire. Questo stupire può corrispondere, a differenza dell' opera ai disegni, ai testi, and above all the story. I think a comic should not just be called ordinary comics, because cast a shadow over much more apt and original productions. But back to our

Dylan ... the comic is a mixture of different elements and can be read in different ways: First, this comic is a real insight of the 'human spirit in all its sides, from the most obscure to the most happy, through melancholy, contempt and especially love the Dylan Dog are also full of symbols, allegories and quotes from artists , scrittori o personaggi famosi, anche contemporanei. Dylan può essere letto come la denuncia della società moderna, una denuncia ampia che può riguardare l' omologazione, la violenza contro le donne o i bambini, la paura di crescere, il terrore di fuggire da un' esistenza squallida e senza futuro o anche solamente la mancanza di tolleranza.

Oltre ai Dylan Dog , soprattutto nell' ultimo anno mi sono avvicinato molto alle Graphic Novels , dei veri e propri romanzi grafici, simili ai fumetti, ma molto più lunghi, e indipendenti tra di loro: infatti essi non creano un' infinita serie di albi con stessi personaggi, ma la maggior parte sono unici. In questo modo ho conosciuto uno dei più grandi maestri di tutti i tempi, Frank Miller , scrittore, disegnatore, regista e sceneggiatore, che ha pubblicato produzioni del calibro di 300, Ronin e il fortunato ciclo di SIN CITY, che rappresenta l' omonima città città devastata da crimine e mafia. Frank Miller unisce alla sua unica abilità di scrittore anche il suo talento da disegnatore, dando vita a graphic novels di un intensità, di un realismo e di una crudezza impensabli .

Per farvi un altro titolo di graphic novel nameless Wanted, a small masterpiece in my opinion, the lightest of comic Miller, but no less interesting, curious and fascinating, made even miles from the charming drawings by Jeffrey G. Jones.

After this series on my favorite genres I hope you'll be made a 'fairly accurate idea of \u200b\u200bmy comic tastes, and then I salute you, making sure that certainly will come back to talk about these topics and much more in depth.

Hello from your MARV

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W SIN CITY

Hello everyone, as I have many topics to talk about having created a backlog of this blog recently, today you will find me to sing the praises of what I think is one of the most successful films of recent times ... SIN CITY. Since I saw this masterpiece (about five months ago) has changed the way I behave and relate to (my own name from this movie), so I just decided to say everything I have to say, so you understand my film genres and show a side of my personality. So excuse me if I will speak in a little more objective and subjective, as are tied to this movie more than you can imagine, though nowadays it is not my favorite.
SIN CITY is a film based on a comic, but not a comics But from a Graphic Novel American signed Frank Miller . Miller began to deal with comic characters reinterpreting the past and now has revived large characters like Batman or Robocop, always giving a shade more gothic. But the highest level it has reached with the noir cycle, SIN CITY, a city infamous, devastated by continuous fighting between police and criminals among the people trying to survive and barely composed mostly of political or religious.
Think of the film as a comic book mobile, with the same jokes and characters from the same side which run on a full background creato dal computer, e pensate a una regia composta da Frank Miller , da un superbo Robert Rodrighez e un Quentin Tarantino che intreccia tre storie una più cruda e violenta dell' altra, una più appassionante e intrigante dell' altra.
Devo ammettere che la prima volta che l' avevo visto avevo fatto caso solo alla mole spropositata di violenza (una violenza falsissima, ma allo stesso tempo agghiacciante grazie ai falsi colori sullo sfondo in bianco a nero del film), violenza che a un occhio poco allenato copre un lavoro di sceneggiatura, di fotografia e di regia impareggiabili.
A mio parere infatti il punto forte di questo capolavoro, oltre che alla fotografia, sono i dialoghi, dialoghi che scritti da un maestro come Miller , sono anche stati doppiati e tradotti in un modo magistrale.
Ora non si può che dare un' occhiata al cast, più che spettacolare. Sono presenti star affermate del carico di Bruce Willis , di Benicio Del Toro o di Clive Owen , emergenti ma talentuosi attori come Elijan Wood e discrete gnocche come Jessica Alba, Rosrio Dawson e una deliziosa Alexis Bledel . Inoltre ha un discreto ruolo anche un Mikey Rourke that plays a big role but in my opinion very complex in the first forty minutes.
In general, a coarse but fine film, a movie that never bored but otherwise keeps you glued to the chair of the second or third time you see him, thanks to complicated mechanisms of the scenes or just to snap on a screenplay by MASTERS.
Finally, I quote a few excerpts from SIN CITY:

1) ( speech of Senator Roark ) "The power not tell you from a gun or a badge, you give it the power lies, big lies and convince the world to side with you. king you can convince people of what they know in their hearts to be false will keep the balls. "

2) the police officer here, as far as I know I could be a father with wife and kids and a mortgage to pay. It draws closer, the dog rig, now I just have to choose whether or not to kill him ... not easy.
Now I'm done, I leave to you the opportunity to comment with your ideas,

Hello everyone and the next item from your MARV (now you know the origin of this name)

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Hello everyone ... this is my new blog.
Now I can write what I want on the world around me and say what they really think ...
but now let submit ... My name is Alberto, in art (and internet) MARV (if you have already figured out where it comes from the name I bow at your feet). I live as well as an interesting squalid and exciting as well boring existence made up of school, home and friends. Are enhanced by every new feature (this blog is new and so now I'm excited), I am interested in movies, comics and game magic (these three are my drug daily and without them I would be lost).
In general I think I'm a bit 'special, but everyone thinks this of himself, so this is not a thing to brag about ... I can tell you a maniac 's activity, and this does not mean that I'm forced to leave the house every day, but it only means that I can not sit still doing nothing, but I always have to do something ... and this something is often central hobbies listed above or with the computer.
I realize that I often behave in an overly hectic but raga, what can I do, if you have something in mind that you must act first steps of mind ...
Hello everyone and the next article,
MARV